Full Jackson’s Discount List

Dimensions: 14 x 10 x 6 in.

Remember to sand the tip of the tool before blending lighter areas, or the tool might darken the surface.

This is a pack of six Large JAS Tortilions.

This is a pack of six Medium JAS Tortilions.

This is a pack of six Small JAS Tortilions.

Remember to sand the tip of the tool before blending lighter areas, or the tool might darken the surface.

This spiral-bound pad contains 24 sheets of 160gsm acid-free pastel paper, in 3 assorted whites (8 of each colour – white, light cream and dark cream) with interleaving sheets.

Size: 9″ x 6″ / 229 x 152 mm

This spiral-bound pad contains 24 sheets of 160gsm acid-free pastel paper, in 3 assorted whites (8 of each colour – white, light cream and dark cream) with interleaving sheets.

Size: 12″ x 9″ / 305 x 229 mm

This spiral-bound pad contains 24 sheets of 160gsm acid-free pastel paper, in 3 assorted whites (8 of each colour – white, light cream and dark cream) with interleaving sheets.

Size: 16″ x 12″ / 406 x 305 mm

This spiral-bound pad contains 24 sheets of 160gsm acid-free pastel paper, in 6 assorted colours (4 each of Blue-Grey, Stone Grey, Marble Grey, Olive Green, Brown and Sand) with interleaving sheets.

Size: 9″ x 6″ / 229 x 152 mm

This spiral-bound pad contains 24 sheets of 160gsm acid-free pastel paper, in 6 assorted colours (4 each of Blue-Grey, Stone Grey, Marble Grey, Olive Green, Brown and Sand) with interleaving sheets.

Size: 12″ x 9″ / 305 x 229 mm

This spiral-bound pad contains 24 sheets of 160gsm acid-free pastel paper, in 6 assorted colours (4 each of Blue-Grey, Stone Grey, Marble Grey, Olive Green, Brown and Sand) with interleaving sheets.

Size: 16″ x 12″ / 406 x 305 mm

Because Velour can hold a lot of pastel, it is perfect for painterly pastel artists who create works with soft edges.

This gummed pad measures 24 x 32cm and contains ten sheets. The sheets are of 9 different colours: white, medium grey, yellow, orange, dark grey, sand, ochre, light grey, and black.

Pastelmat significantly reduces the need for fixative, which means that colors remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid free and lightfast.

Pastelmat is ideal for use with all dry media – pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media – such as acrylics and watercolor for washes and mixed media techniques.

This Orange Pastelmat Pad contains twelve sheets: three each of White, Brown, Sienna, Anthracite.

Recommended

Pastelmat significantly reduces the need for fixative, which means that colors remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid free and lightfast.

Pastelmat is ideal for use with all dry media – pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media – such as acrylics and watercolor for washes and mixed media techniques.

This Red Label Pastelmat Pad contains twelve Pastelmat sheets; three each of dark grey, light grey, maize, buttercup.

Pastelmat significantly reduces the need for fixative, which means that colors remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid free and lightfast.

Pastelmat is ideal for use with all dry media – pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media – such as acrylics and watercolor for washes and mixed media techniques.

This Pastelmat Pad contains twelve white Pastelmat sheets.

Winsor & Newton Tints is 160gsm, 100% acid-free and light-resistant. It features an attractive grained surface on one side and a slightly smoother surface on the other, offering the artist a choice of surfaces and effects. This pad is an A3 pad.

Winsor & Newton Tints is 160gsm, 100% acid-free and light-resistant. It features an attractive grained surface on one side and a slightly smoother surface on the other, offering the artist a choice of surfaces and effects. This pad is an A4 pad.

Because Velour can hold a lot of pastel, it is perfect for painterly pastel artists who create works with soft edges.

This pad contains 30 sheets of lightly textured 160gsm acid-free coloured paper.
Colours: Lagoon, Wedgwood, fern, dusk, slate, aubergine (5 sheets of each).

Pastel pigments dissolve quickly and without the application of any undue pressure on the soft, slightly textured paper. The colour pigments adhere beautifully to the surface, where they settle gently but firmly. Blurred lines and carefully nuanced shading can easily be created with different wiping techniques. Developed especially for pastels, 170 g/m² PastellFix paper is also perfect for oil pastel, pencil, sanguine or charcoal works. The pastel painting pad contains two sheets of each of the following colours: ivory, sand, navy, steel grey, dark grey and black. The different shades are protected by transparent dividers. This paper offers professional as well as hobby artists the perfect surface for giving free rein to their creativity. The acid free paper has a cotton rag content and is felt marked.

Pastel pigments dissolve quickly and without the application of any undue pressure on the soft, slightly textured paper. The colour pigments adhere beautifully to the surface, where they settle gently but firmly. Blurred lines and carefully nuanced shading can easily be created with different wiping techniques. Developed especially for pastels, 170 g/m² PastellFix paper is also perfect for oil pastel, pencil, sanguine or charcoal works. The pastel painting pad contains two sheets of each of the following colours: ivory, sand, navy, steel grey, dark grey and black. The different shades are protected by transparent dividers. This paper offers professional as well as hobby artists the perfect surface for giving free rein to their creativity. The acid free paper has a cotton rag content and is felt marked.

Pastel pigments dissolve quickly and without the application of any undue pressure on the soft, slightly textured paper. The colour pigments adhere beautifully to the surface, where they settle gently but firmly. Blurred lines and carefully nuanced shading can easily be created with different wiping techniques. Developed especially for pastels, 170 g/m² PastellFix paper is also perfect for oil pastel, pencil, sanguine or charcoal works. The pastel painting pad contains two sheets of each of the following colours: ivory, sand, navy, steel grey, dark grey and black. The different shades are protected by transparent dividers. This paper offers professional as well as hobby artists the perfect surface for giving free rein to their creativity. The acid free paper has a cotton rag content and is felt marked.

Pastel pigments dissolve quickly and without the application of any undue pressure on the soft, slightly textured paper. The colour pigments adhere beautifully to the surface, where they settle gently but firmly. Blurred lines and carefully nuanced shading can easily be created with different wiping techniques. Developed especially for pastels, 170 g/m² PastellFix paper is also perfect for oil pastel, pencil, sanguine or charcoal works. The pastel painting pad contains two sheets of each of the following colours: ivory, sand, navy, steel grey, dark grey and black. The different shades are protected by transparent dividers. This paper offers professional as well as hobby artists the perfect surface for giving free rein to their creativity. The acid free paper has a cotton rag content and is felt marked.

Pastelmat significantly reduces the need for fixative, which means that colors remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid free and lightfast.

Pastelmat is ideal for use with all dry media – pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media – such as acrylics and watercolor for washes and mixed media techniques.

This Pastelmat Pad No.4 contains twelve sheets; three each of Burgundy, Dark Blue, Light Blue, Sand.

Pastelmat significantly reduces the need for fixative, which means that colors remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid free and lightfast.

Pastelmat is ideal for use with all dry media – pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media – such as acrylics and watercolor for washes and mixed media techniques.

This Pastelmat Pad No.4 contains twelve sheets; three each of Burgundy, Light Blue, Dark Blue and Sand.   Recommended

Pastelmat significantly reduces the need for fixative, which means that colors remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid free and lightfast.

Pastelmat is ideal for use with all dry media – pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media – such as acrylics and watercolor for washes and mixed media techniques.

This Pastelmat Pad No.4 contains twelve sheets; three each of Burgundy, Light Blue, Dark Blue and Sand.  Recommended

Includes a Pony Hair Brush (18.9cm long, britle length 0.9cm), one Sponge Applicator (14.5cm long, with a 1cm tip) and one Rubber-tipped blending tool (17.6cm long) which is suitable for detailed work as it has a sharp 0.9cm-long tip.

12 x JAS Pastels manufactured by Marie’s:

1 x White

1 x Black

1 x Brown

1 x Yellowish Pink

1 x Pink

1 x Violet

1 x Ultramarine

1 x Sky Blue

1 x Green

1 x Yellow Mid.

1 x Orange Red

1 x Scarlet

Not recommended

The set also has five spare Rubicell Heads in a plastic storage tube. These applicator heads can be changed easily.

Colours include:

Permanent White French Green
Naples Yellow Pea Green
Cadmium Yellow Moss Green Dark
Chromium Yellow Fir Green
Orange Olive Green Dark
Vermilion LIght Green Earth Light
Vermilion Dark Tan Light
Madder Carmine Ivory Black
Carmine Extra Fine Tan Dark
Reddish Purple Ochre Light
Rose Madder Ochre Dark
Bluish Purple Sienna
Prussian Blue Pompeian Red
Ultramarine Indian Red
Delft Blue Van Dycke Brown
Glacier Blue Bistre
Bremen Blue Cloud Grey
Turquoise Dark Blue Grey

Recommended

Colurs Include:

Permanent White Olive Green Light
Zinc White Olive Green Dark
Naples Yellow Green Earth Light
Cadmium Yellow Green Earth Dark
Chromium Yellow Ivory
Permanent Yellow Dark Tan Light
Orange Tan Dark
Vermilion Light Ochre Light
Permanent red Light Ochre Dark
Vermilion Dark English Red
Permanent red Dark Sanguine Light
Mader Carmine Sienna
Carmine Extra Fine Sepia Dark
Mars Violet Light Sanguine Dark
Mars Violet Dark Pompeian Red
Ruby Indian Red
Reddish Purple Van Dycke Brown
Rose Madder Bistre
Old Rose Light Olive Brown
OLd Rose Dark Sepia Light
Bluish Purple Umber
Indigo Brown Grey
Prussian Blue Smoke Grey
Ultramarine Yellow Grey
Delft Blue Green Grey
Mountain Blue White Grey
Glacier Blue Light Grey
Light Blue Cloud Grey
Bremen Blue Silver Grey
Smyrna Blue Elephant Grey
Turquoise Dark Pearl Grey
French Green Dark Grey
Pea Green Payne's Grey
Moss Green Dark Blue grey
Fir Green Black Grey
Leaf Green Ivory Black

recommended

Conté crayons can be held in many ways, which allows for a multitude of different angles. An example is using the “flat edge” of the crayon and varying the pressure (the greater the pressure on the crayon, the denser the colour that will be obtained). By holding the crayon upright or slightly slanted, fine and accurate lines can be created.

The crayons are very soft to use and are manufactured using natural pigments (iron oxide, carbon black, titanium dioxide), clay (kaolin) and a binder (cellulose ether), which are then baked after being extruded and dried. The degree of baking varies the grade (hardness:H/ softness:B) of the black and white crayons.  recommended

TIP:
Fix drawings between layers when working layer upon layer with pastel

Please Note: We are informed by Winsor & Newton that this product is exactly the same as the product sold in the USA as 'Winsor & Newton Workable Fixative' – the only difference is the packaging.s

Workable Fixatives

Fixatives allow you to fix your work at a certain point and continue working, or to seal the artwork to protect it. This is a ‘Workable fixative’, which will add a toothy texture to your artwork. This is useful when the surface of the paper has become saturated, so that no more pencil will apply. If you apply a spray of workable fixative, this will add tooth back on top.

TIP:
Fix drawings between layers when working layer upon layer with pastels

Please Note: We are informed by Winsor & Newton that this product is exactly the same as the product sold in the USA as 'Winsor & Newton Workable Fixative' – the only difference is the packaging.

Workable Fixatives

Fixatives allow you to fix your work at a certain point and continue working, or to seal the artwork to protect it. This is a ‘Workable fixative’, which will add a toothy texture to your artwork. This is useful when the surface of the paper has become saturated, so that no more pencil will apply. If you apply a spray of workable fixative, this will add tooth back on top.

Jackson’s Soft Pastels are handmade, giving them an incredible softness and a smooth ‘buttery’ consistency. Jackson’s hand-rolled pastels are formed with the lightest of touches, so as not to over compress the pastel ingredients. This gentle manufacturing process creates pastels that deposit brighter and more saturated hues. The low binder to pigment ratio of a Jackson’s Handmade Pastel allows for both subtle and bold mark making. The pastels glide smoothly onto paper. The excellent lightfast qualities of Jackson’s Soft Pastels mean that pastel paintings created with them will not deteriorate over time. (The four fluorescent colours are the exception; like all fluorescent colours they are not lightfast.)

Please Note: Each 14 individual Jackson's Handmade Soft Pastels ordered will arrive presented in a pastel set box. Quote the code TJBOX14 in the order comments to receive your free box.

Jackson’s Soft Pastels are handmade, giving them an incredible softness and a smooth ‘buttery’ consistency. Jackson’s hand-rolled pastels are formed with the lightest of touches, so as not to over compress the pastel ingredients. This gentle manufacturing process creates pastels that deposit brighter and more saturated hues. The low binder to pigment ratio of a Jackson’s Handmade Pastel allows for both subtle and bold mark making. The pastels glide smoothly onto paper. The excellent lightfast qualities of Jackson’s Soft Pastels mean that pastel paintings created with them will not deteriorate over time. (The four fluorescent colours are the exception; like all fluorescent colours they are not lightfast.)

Contents Include:

14 x Jacksons Handmade Soft Pastels

1 x Ivory 109
1 x Yellow-Ivory 108
1 x Pale Yellow 119
1 x Cadmium Yellow 117
1 x Zinc Yellow 107
1 x Light Chrome 115
1 x Lemon 105
1 x Canary 127
1 x Orange Yellow 103
1 x Deep Yellow 125
1 x Tangerine 102
1 x Light Orange 135
1 x Vivid Orange 133
1 x Orange 208

All Jacksins soft pastel range recommended

Jackson’s Soft Pastels are handmade, giving them an incredible softness and a smooth ‘buttery’ consistency. Jackson’s hand-rolled pastels are formed with the lightest of touches, so as not to over compress the pastel ingredients. This gentle manufacturing process creates pastels that deposit brighter and more saturated hues. The low binder to pigment ratio of a Jackson’s Handmade Pastel allows for both subtle and bold mark making. The pastels glide smoothly onto paper. The excellent lightfast qualities of Jackson’s Soft Pastels mean that pastel paintings created with them will not deteriorate over time. (The four fluorescent colours are the exception; like all fluorescent colours they are not lightfast.)

Contents Include:

14 x Jacksons Handmade Soft Pastels

1 x Light Magenta 229
1 x Pale Rose Violet 449
1 x Pure Pink 288
1 x Light Pink 287
1 x Apricot Pink 219
1 x Pale Orange 218
1 x Fuchsia 238
1 x Cadmium Red 237
1 x Dark Carmine Pink 217
1 x Deep Carmine 212
1 x Wine Red 223
1 x Carmine 213
1 x Rose Carmine 235
1 x Deep Vermilion 225

Jackson’s Soft Pastels are handmade, giving them an incredible softness and a smooth ‘buttery’ consistency. Jackson’s hand-rolled pastels are formed with the lightest of touches, so as not to over compress the pastel ingredients. This gentle manufacturing process creates pastels that deposit brighter and more saturated hues. The low binder to pigment ratio of a Jackson’s Handmade Pastel allows for both subtle and bold mark making. The pastels glide smoothly onto paper. The excellent lightfast qualities of Jackson’s Soft Pastels mean that pastel paintings created with them will not deteriorate over time. (The four fluorescent colours are the exception; like all fluorescent colours they are not lightfast.)

Contents Include:

14 x Jacksons Handmade Soft Pastels

1 x Deep Magenta 295
1 x Rose Purple 446
1 x Pink Purple 445
1 x Purple 443
1 x Lilac 294
1 x Lilac Violet 293
1 x Dark Lilac 292
1 x Rose Violet 444
1 x Lilac Pink 298
1 x Light Lilac Pink 277
1 x Pink Beige 407
1 x Violet Pink 408
1 x Pale Portrait Pink 409
1 x Indian Pink 259

Jackson’s Soft Pastels are handmade, giving them an incredible softness and a smooth ‘buttery’ consistency. Jackson’s hand-rolled pastels are formed with the lightest of touches, so as not to over compress the pastel ingredients. This gentle manufacturing process creates pastels that deposit brighter and more saturated hues. The low binder to pigment ratio of a Jackson’s Handmade Pastel allows for both subtle and bold mark making. The pastels glide smoothly onto paper. The excellent lightfast qualities of Jackson’s Soft Pastels mean that pastel paintings created with them will not deteriorate over time. (The four fluorescent colours are the exception; like all fluorescent colours they are not lightfast.)

Contents Include:

14 x Jacksons Handmade Soft Pastels

1 x Red Ochre 188
1 x Light Terra Cotta 155
1 x Soybean 185
1 x Terra Cotta 318
1 x Laterite 317
1 x Barren Land 316
1 x Red Oxide 315
1 x Van Dyke Red 313
1 x Burnt Carmine 265
1 x Red Brown 327
1 x Van Dyke Brown 243
1 x Dark Sienna 307
1 x Burnt Sienna 305
1 x Burnt Umber 435

Jackson’s Soft Pastels are handmade, giving them an incredible softness and a smooth ‘buttery’ consistency. Jackson’s hand-rolled pastels are formed with the lightest of touches, so as not to over compress the pastel ingredients. This gentle manufacturing process creates pastels that deposit brighter and more saturated hues. The low binder to pigment ratio of a Jackson’s Handmade Pastel allows for both subtle and bold mark making. The pastels glide smoothly onto paper. The excellent lightfast qualities of Jackson’s Soft Pastels mean that pastel paintings created with them will not deteriorate over time. (The four fluorescent colours are the exception; like all fluorescent colours they are not lightfast.)

Contents Include:

14 x Jacksons Handmade Soft Pastels

1 x Raw Sienna 184
1 x Medium Brown 328
1 x Dark Apricot 153
1 x Salmon Beige 162
1 x Deep Apricot 164
1 x Burnt Ochre 329
1 x Cinnamon 247
1 x Warm Ochre 167
1 x Salmon Orange 139
1 x Fade Orange 138
1 x Apricot 165
1 x Salmon Pink 158
1 x Medium Apricot 248
1 x Light Apricot 249

Jackson’s Soft Pastels are handmade, giving them an incredible softness and a smooth ‘buttery’ consistency. Jackson’s hand-rolled pastels are formed with the lightest of touches, so as not to over compress the pastel ingredients. This gentle manufacturing process creates pastels that deposit brighter and more saturated hues. The low binder to pigment ratio of a Jackson’s Handmade Pastel allows for both subtle and bold mark making. The pastels glide smoothly onto paper. The excellent lightfast qualities of Jackson’s Soft Pastels mean that pastel paintings created with them will not deteriorate over time. (The four fluorescent colours are the exception; like all fluorescent colours they are not lightfast.)

Contents Include:

14 x Jacksons Handmade Soft Pastels

1 x Smalt Blue White 429
1 x Smalt Blue 459
1 x Pale Cobalt Blue 428
1 x Light Cobalt Blue 427
1 x Brandeis Blue 453
1 x Cobalt Blue 425
1 x Dark Cobalt Blue 424
1 x Lavender Violet Blue 414
1 x Fade Cobalt Blue 426
1 x Lavender Blue 474
1 x Prussian Blue 423
1 x Deep Ultramarine Blue 471
1 x Deep Lavender Blue 472
1 x Light Prussian Blue 476

Jackson’s Soft Pastels are handmade, giving them an incredible softness and a smooth ‘buttery’ consistency. Jackson’s hand-rolled pastels are formed with the lightest of touches, so as not to over compress the pastel ingredients. This gentle manufacturing process creates pastels that deposit brighter and more saturated hues. The low binder to pigment ratio of a Jackson’s Handmade Pastel allows for both subtle and bold mark making. The pastels glide smoothly onto paper. The excellent lightfast qualities of Jackson’s Soft Pastels mean that pastel paintings created with them will not deteriorate over time. (The four fluorescent colours are the exception; like all fluorescent colours they are not lightfast.)

Contents Include:

14 x Jacksons Handmade Soft Pastels

1 x Lime Green White 199
1 x Green Beige 178
1 x Light Lime Yellow 198
1 x Light Olive Beige 179
1 x Olive Beige 176
1 x Yellow beige 177
1 x Light Green Ochre 146
1 x Yellowish Green Field 578
1 x Light Grey Green 196
1 x Mild Green 549
1 x Lime Green 519
1 x Pale Lime Green 197
1 x Powder Lime Blue 529
1 x Powder Blue 468

Jackson’s Soft Pastels are handmade, giving them an incredible softness and a smooth ‘buttery’ consistency. Jackson’s hand-rolled pastels are formed with the lightest of touches, so as not to over compress the pastel ingredients. This gentle manufacturing process creates pastels that deposit brighter and more saturated hues. The low binder to pigment ratio of a Jackson’s Handmade Pastel allows for both subtle and bold mark making. The pastels glide smoothly onto paper. The excellent lightfast qualities of Jackson’s Soft Pastels mean that pastel paintings created with them will not deteriorate over time. (The four fluorescent colours are the exception; like all fluorescent colours they are not lightfast.)

Contents Include:

14 x Jacksons Handmade Soft Pastels

1 x Greenish Lemon 539
1 x Lemon Green 538
1 x Light Olive Green 579
1 x Light Yellowish Green Field 569
1 x Light Bohemian Green 548
1 x Emerald Green 527
1 x May Green 518
1 x Light Leaf Green 515
1 x Vivid Lime Green 537
1 x Leaf Green 525
1 x Bohemian Green 547
1 x Dark Emerald Green 536
1 x Deep Green 546
1 x Viridian 535

Jackson’s Soft Pastels are handmade, giving them an incredible softness and a smooth ‘buttery’ consistency. Jackson’s hand-rolled pastels are formed with the lightest of touches, so as not to over compress the pastel ingredients. This gentle manufacturing process creates pastels that deposit brighter and more saturated hues. The low binder to pigment ratio of a Jackson’s Handmade Pastel allows for both subtle and bold mark making. The pastels glide smoothly onto paper. The excellent lightfast qualities of Jackson’s Soft Pastels mean that pastel paintings created with them will not deteriorate over time. (The four fluorescent colours are the exception; like all fluorescent colours they are not lightfast.)

Contents Include:

14 x Jacksons Handmade Soft Pastels

1 x Cream 149
1 x Light Yellow Ochre 147
1 x Light Ochre 159
1 x Deep Yellow Ochre 145
1 x Yellow Ochre 168
1 x Light Red Brown 319
1 x Ochre 187
1 x Gold 186
1 x Dark Ochre 183
1 x Beige Ochre 143
1 x Pale Bister 195
1 x Olive Ochre 175
1 x Yellowish Olive Green 577
1 x Mossy Green 565

Jackson’s Soft Pastels are handmade, giving them an incredible softness and a smooth ‘buttery’ consistency. Jackson’s hand-rolled pastels are formed with the lightest of touches, so as not to over compress the pastel ingredients. This gentle manufacturing process creates pastels that deposit brighter and more saturated hues. The low binder to pigment ratio of a Jackson’s Handmade Pastel allows for both subtle and bold mark making. The pastels glide smoothly onto paper. The excellent lightfast qualities of Jackson’s Soft Pastels mean that pastel paintings created with them will not deteriorate over time. (The four fluorescent colours are the exception; like all fluorescent colours they are not lightfast.)

Contents Include:

14 x Jacksons Handmade Soft Pastels

1 x Warm Grey I 639
1 x Cool Grey I 619
1 x Warm Grey II 638
1 x Cool Grey II 618
1 x Warm Grey III 635
1 x Cool Grey III 628
1 x Warm Grey IV 633
1 x Cool Grey IV 634
1 x Cool Grey V 615
1 x Cool Grey VI 625
1 x Greenish Grey 308
1 x Dark Olive Beige 309
1 x Mouse Grey 637
1 x Black 605

Jackson’s Soft Pastels are handmade, giving them an incredible softness and a smooth ‘buttery’ consistency. Jackson’s hand-rolled pastels are formed with the lightest of touches, so as not to over compress the pastel ingredients. This gentle manufacturing process creates pastels that deposit brighter and more saturated hues. The low binder to pigment ratio of a Jackson’s Handmade Pastel allows for both subtle and bold mark making. The pastels glide smoothly onto paper. The excellent lightfast qualities of Jackson’s Soft Pastels mean that pastel paintings created with them will not deteriorate over time. (The four fluorescent colours are the exception; like all fluorescent colours they are not lightfast.)

Contents Include:

14 x Jacksons Handmade Soft Pastels

1 x White I 005
1 x Light Yellow Ochre 147
1 x Lemon 105
1 x Deep Yellow 125
1 x Deep Orange 205
1 x Deep Vermilion 225
1 x Red Oxide 315
1 x Dark Red Brown 325
1 x Light Cobalt Blue 427
1 x Cobalt Blue 425
1 x Chromium Oxide Green 545
1 x Dark Yellowish Olive Green 575
1 x Cool Grey II 618
1 x Black 605

Jackson’s Soft Pastels are handmade, giving them an incredible softness and a smooth ‘buttery’ consistency. Jackson’s hand-rolled pastels are formed with the lightest of touches, so as not to over compress the pastel ingredients. This gentle manufacturing process creates pastels that deposit brighter and more saturated hues. The low binder to pigment ratio of a Jackson’s Handmade Pastel allows for both subtle and bold mark making. The pastels glide smoothly onto paper. The excellent lightfast qualities of Jackson’s Soft Pastels mean that pastel paintings created with them will not deteriorate over time. (The four fluorescent colours are the exception; like all fluorescent colours they are not lightfast.)

Jackson’s Soft Pastels are handmade, giving them an incredible softness and a smooth ‘buttery’ consistency. Jackson’s hand-rolled pastels are formed with the lightest of touches, so as not to over compress the pastel ingredients. This gentle manufacturing process creates pastels that deposit brighter and more saturated hues. The low binder to pigment ratio of a Jackson’s Handmade Pastel allows for both subtle and bold mark making. The pastels glide smoothly onto paper. The excellent lightfast qualities of Jackson’s Soft Pastels mean that pastel paintings created with them will not deteriorate over time. (The four fluorescent colours are the exception; like all fluorescent colours they are not lightfast.)

Contents Include:

3 x Jackson's Handmade Soft Pastels

1 x Fluorescent Orange 701
1 x Fluorescent Red 702
1 x Fluorescent Pink 703

Jackson’s Soft Pastels are handmade, giving them an incredible softness and a smooth ‘buttery’ consistency. Jackson’s hand-rolled pastels are formed with the lightest of touches, so as not to over compress the pastel ingredients. This gentle manufacturing process creates pastels that deposit brighter and more saturated hues. The low binder to pigment ratio of a Jackson’s Handmade Pastel allows for both subtle and bold mark making. The pastels glide smoothly onto paper. The excellent lightfast qualities of Jackson’s Soft Pastels mean that pastel paintings created with them will not deteriorate over time. (The four fluorescent colours are the exception; like all fluorescent colours they are not lightfast.)

Contents Include:

3 x White I 005

Jackson’s Soft Pastels are handmade, giving them an incredible softness and a smooth ‘buttery’ consistency. Jackson’s hand-rolled pastels are formed with the lightest of touches, so as not to over compress the pastel ingredients. This gentle manufacturing process creates pastels that deposit brighter and more saturated hues. The low binder to pigment ratio of a Jackson’s Handmade Pastel allows for both subtle and bold mark making. The pastels glide smoothly onto paper. The excellent lightfast qualities of Jackson’s Soft Pastels mean that pastel paintings created with them will not deteriorate over time. (The four fluorescent colours are the exception; like all fluorescent colours they are not lightfast.)

Contents Include:

3 x White II 003

Jackson’s Soft Pastels are handmade, giving them an incredible softness and a smooth ‘buttery’ consistency. Jackson’s hand-rolled pastels are formed with the lightest of touches, so as not to over compress the pastel ingredients. This gentle manufacturing process creates pastels that deposit brighter and more saturated hues. The low binder to pigment ratio of a Jackson’s Handmade Pastel allows for both subtle and bold mark making. The pastels glide smoothly onto paper. The excellent lightfast qualities of Jackson’s Soft Pastels mean that pastel paintings created with them will not deteriorate over time. (The four fluorescent colours are the exception; like all fluorescent colours they are not lightfast.)

Contents Include:

14 x Jacksons Handmade Soft Pastels

1 x Medium Brown 328
1 x Dark Apricot 153
1 x Salmon Beige 162
1 x Deep Apricot 164
1 x Burnt Ochre 329
1 x Cinnamon 247
1 x Warm Ochre 167
1 x Salmon Orange 139
1 x Fade Orange 138
1 x Apricot 165
1 x Salmon Pink 158
1 x Medium Apricot 248
1 x Light Apricot 249
1 x Pale Peach 289

Jackson’s Soft Pastels are handmade, giving them an incredible softness and a smooth ‘buttery’ consistency. Jackson’s hand-rolled pastels are formed with the lightest of touches, so as not to over compress the pastel ingredients. This gentle manufacturing process creates pastels that deposit brighter and more saturated hues. The low binder to pigment ratio of a Jackson’s Handmade Pastel allows for both subtle and bold mark making. The pastels glide smoothly onto paper. The excellent lightfast qualities of Jackson’s Soft Pastels mean that pastel paintings created with them will not deteriorate over time. (The four fluorescent colours are the exception; like all fluorescent colours they are not lightfast.)

Contents Include:

14 x Jacksons Handmade Soft Pastels

1 x Dark Red Brown 325
1 x Burnt Umber 435
1 x Dark Umber 649
1 x Wine Red 223
1 x Lilac Violet 293
1 x Dark Lilac 292
1 x Dark Lavender Blue 473
1 x Deep Ultramarine Blue 471
1 x Prussian Blue 423
1 x Light Prussian Blue 476
1 x Deep Lavender Blue 472
1 x Deep Olive Green 543
1 x Chromium Oxide Green 545
1 x Dark Olive Green 563

Jackson’s Soft Pastels are handmade, giving them an incredible softness and a smooth ‘buttery’ consistency. Jackson’s hand-rolled pastels are formed with the lightest of touches, so as not to over compress the pastel ingredients. This gentle manufacturing process creates pastels that deposit brighter and more saturated hues. The low binder to pigment ratio of a Jackson’s Handmade Pastel allows for both subtle and bold mark making. The pastels glide smoothly onto paper. The excellent lightfast qualities of Jackson’s Soft Pastels mean that pastel paintings created with them will not deteriorate over time. (The four fluorescent colours are the exception; like all fluorescent colours they are not lightfast.)

Contents Include:

14 x Jacksons Handmade Soft Pastels

1 x Light Lime Yellow 198
1 x Light Olive Green 579
1 x Greenish Lemon 539
1 x Yellowish Green Field 578
1 x Light Green Ochre 146
1 x Yellowish Olive Green 577
1 x Olive 576
1 x Dark Khaki 573
1 x Green Tea 567
1 x Olive Green 564
1 x Dark Olive Green 563
1 x Dark Olive Beige 309
1 x Warm Grey IV 633
1 x Cool Grey IV 634

Jackson’s Soft Pastels are handmade, giving them an incredible softness and a smooth ‘buttery’ consistency. Jackson’s hand-rolled pastels are formed with the lightest of touches, so as not to over compress the pastel ingredients. This gentle manufacturing process creates pastels that deposit brighter and more saturated hues. The low binder to pigment ratio of a Jackson’s Handmade Pastel allows for both subtle and bold mark making. The pastels glide smoothly onto paper. The excellent lightfast qualities of Jackson’s Soft Pastels mean that pastel paintings created with them will not deteriorate over time. (The four fluorescent colours are the exception; like all fluorescent colours they are not lightfast.)

Contents Include:

14 x Jacksons Handmade Soft Pastels

1 x Light Yellow Ochre 147
1 x Light Ochre 159
1 x Deep Yellow Ochre 145
1 x Yellow Ochre 168
1 x Ochre 187
1 x Dark Ochre 183
1 x Beige Ochre 143
1 x Green Beige 178
1 x Light Olive Beige 179
1 x Yellow Beige 177
1 x Dark Sienna 307
1 x Burnt Sienna 305
1 x Dark Red Brown 325
1 x Dark Umber 649

Jackson’s Soft Pastels are handmade, giving them an incredible softness and a smooth ‘buttery’ consistency. Jackson’s hand-rolled pastels are formed with the lightest of touches, so as not to over compress the pastel ingredients. This gentle manufacturing process creates pastels that deposit brighter and more saturated hues. The low binder to pigment ratio of a Jackson’s Handmade Pastel allows for both subtle and bold mark making. The pastels glide smoothly onto paper. The excellent lightfast qualities of Jackson’s Soft Pastels mean that pastel paintings created with them will not deteriorate over time. (The four fluorescent colours are the exception; like all fluorescent colours they are not lightfast.)

Contents Include:

1 x White II 003
1 x Smalt Blue White 429
1 x Smalt Blue 459
1 x Pale Cobalt Blue 428
1 x Light Cobalt Blue 427
1 x Warm Grey I 639
1 x Cool Grey I 619
1 x Warm Grey II 638
1 x Cool Grey II 618
1 x Warm Grey III 635
1 x Beige 174
1 x Cream 149
1 x Light Yellow Ochre 147
1 x Light Ochre 159

Jackson’s Soft Pastels are handmade, giving them an incredible softness and a smooth ‘buttery’ consistency. Jackson’s hand-rolled pastels are formed with the lightest of touches, so as not to over compress the pastel ingredients. This gentle manufacturing process creates pastels that deposit brighter and more saturated hues. The low binder to pigment ratio of a Jackson’s Handmade Pastel allows for both subtle and bold mark making. The pastels glide smoothly onto paper. The excellent lightfast qualities of Jackson’s Soft Pastels mean that pastel paintings created with them will not deteriorate over time. (The four fluorescent colours are the exception; like all fluorescent colours they are not lightfast.)

Contents Include:

200x Jackson's Handmade Soft Pastels

Each “half stick” pastel is 25mm long and 10mm square.

A great small gift, add a few to your next order to have some on hand! Who do you know who deserves a little something?

Each “half stick” pastel is 25mm long and 10mm square.

Each “half stick” pastel is 25mm long and 10mm square.

Each “half stick” pastel is 25mm long and 10mm square.

Each “half stick” pastel is 25mm long and 10mm square.

Contains 24 Soft Pastels.

Contains 36 Soft Pastels.

Contains 48 Soft Pastels.

The Conté Sketching carre crayons include a range of famous red-brown Sanguine colours, Grey and Bistre, plus white and 3 grades of black. These crayons are manufactured using natural pigments (iron oxides, carbon black, titanium dioxide). The Conté Colour carré crayons come in a range of vibrant colours.

Developed by our team to combine the best elements of the finest fixatives available to artists. Good surface protection, minimal colour shift and incredible value. 

Please ensure you use this product in spaces with adequate ventilation. You may also wish to wear protective eyewear and clothing.

Please note, we cannot send by air mail anything which is hazardous and above 250ml; anything flammable or toxic; any aerosols, unless by special order. However, we may be able to arrange another means of shipping your order. Please contact our customer services department if you would like to discuss this.

Margaret Evans, pastel artist, tutor and author comments on the product, “Simply got to tell you – that aerosol is the BEST I’ve ever used!  Used it extensively on a large painting in progress yesterday and there was not a single splutter or spit!!! Well done  this is brilliant…need to put an order in!!”.

Please note: the tones and shades of these panels may vary slightly.

Caran d’Ache Pastel Pencils are presented in a sturdy foamlined box to prevent the leads from breaking in transit. The large leads (4.7mm) can be sharpened to a strong point for drawing fine detail. The leads are housed in a high quality cedar wood casing to prevent damage during sharpening and use.

These hexagonal in shaped pastel pencils work at their best when sharpened with a knife or sandpaper block.

Suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache.

Suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache.

Ingres paper is also known as ‘laid paper’. The surface of each sheet has a faintly ribbed texture, perfect for holding graphite and soft pastel colour. This surface is characteristic of the traditional hand-made papers of the pre-Industrial age, which were formed in sieve-like moulds of wire mesh which left impressions on the surface of the paper. ‘Chain lines’ are thicker and widely spaced, while ‘laid lines’ are thinner and closer together.

This is a single sheet of Hahnemuhle Ingres paper measuring 48×62.5cm. It has four deckle-edges and is in the colour Bright White.

• • Clairefontaine Ingres Pastel Paper 130gsm (Normal size sheet is 50x65cm, sample will be 1/4 of this)

• • Fabriano Ingres Pastel Paper (Normal size sheet is 50x70cm, sample will be 1/4 of this)

• • Hahnemuhle LanaColours Pastel Paper 160gsm (Normal size sheet is 50x65cm, sample will be 1/4 of this)

• • Fabriano Tiziano Pastel Paper 160gsm (Normal size sheet is 50x70cm, sample will be 1/4 of this)

• • Hahnemuhle Ingres Pastel Paper (Normal size sheet is 48×62.5cm, sample will be 1/4 of this)

• • Canson Mi-Teintes Pastel Paper 160gsm (Normal size sheet is 55x75cm, sample will be 1/4 of this)

HIGHLY RECOMMENDED – suggested by Heather

• • Canson Mi-Teintes Touch Pastel Paper 335gsm (Normal size sheet is 50x65cm, sample will be 1/4 of this)

• • Clairefontaine Pastelmat Pastel Paper 360gsm (Normal size sheet is 50x70cm, sample will be 1/4 of this)

• • Art Spectrum Colourfix Pastel Paper 300gsm (Normal size sheet is 50x70cm, sample will be 1/4 of this)

• • Tim Fisher 400 Art Pastel Paper 360gsm (Normal size sheet is 50x70cm, sample will be 1/4 of this)

• • Sennelier Soft Pastel Card 360gsm (Normal size sheet is 50x65cm, sample will be 1/4 of this)

• • UART Sanded Pastel Paper 400 Grade (Normal size sheet is 53x69cm, sample will be 1/4 of this)

• • Hahnemuhle Velour Pastel Paper 260gsm (Normal size sheet is 50x70cm, sample will be 1/4 of this)

HIGHLY RECOMMENDED

Ingres paper is also known as ‘laid paper’. The surface of each sheet has a faintly ribbed texture, perfect for holding graphite and soft pastel colour. This surface is characteristic of the traditional hand-made papers of the pre-Industrial age, which were formed in sieve-like moulds of wire mesh which left impressions on the surface of the paper. ‘Chain lines’ are thicker and widely spaced, while ‘laid lines’ are thinner and closer together.

Because Velour can hold a lot of pastel, it is perfect for painterly pastel artists who create works with soft edges.